“The Audacity of Home: Shakespeare’s Use of Time, Romance, and Intimate Stage Action to Bind Audience with Plot in ‘The Winter’s Tale.'” Jeff Moser, University of Denver. “Immigrant Theatre: Paradigm for the Acceptance of Multiculturalism in Perceived Homogeneous Societies” by Marcy Arlin, artistic director of Immigrants Theater Project, New York.ġ:20 p.m. “Reimagining Civic Poetics through Diaspora” by Maya Roth, Georgetown Universityġ2:30 p.m. “‘Lady Precious Stream’ Returns Home.” Da Zheng, Suffolk University.ġ0:30 a.m. “Empathic Economies: Affective Labor in Refugee Performance.” Lindsay Cummings, University of Connecticut. Performed by DAH Theater, Belgrade, Serbia, with Dijana Milosevic and Maja Mitic. “The Quivering of the Rose.” A reflection about the strength and fragility of memory, about the meaning of the disappearance and the possibility of transformation. “Empty Plots,” a staged reading by the play’s author, Chris Gavaler, Washington and Lee University.Ħ:15 p.m. “She argues like an angel.” Entertainment Interlude – Commedia performance, Washington and Lee LIT 295 students.Ĥ:00 p.m. “Children’s Literature from Page to Stage in a Diasporic Context” by Catalina Iliescu Gheorghiu, University of Alicante, Spain.ģ:40 p.m. “Dangerous Sensations: Poisoned Stage Properties in Renaissance English Revenge Tragedy.” Holly Pickett, Washington and Lee University.Ģ:40 a.m. “A Place within a Place: Public and Private Worlds in Shakespeare’s ‘Troilus and Cressida.'” Jemma Levy, Washington and Lee University. “Material Culture as a Space of Privacy, Ritual and Protest in Two Post-Civil War Spanish Dramas.” Iulia Spranceana, Centre College. “Coming Home and Crossing Borders: ‘The Return to the Desert’ of Bernard-Marie Koltès.” Thomas John Donahue, Saint Joseph’s University. “On Different Elective Centers: Real and Cyber Migrations, Radical Performance Art, and Guillermo Gomez-Pena’s ‘La Pocha Nostra.'” Nevena Stojanovic, West Virginia University. “Cultural Displacement and Third Culture Identity in ‘Lejos de aquí’ by Roberto (Tito) Cossa and Mauricio Kartún.” Iana Konstantinova, Southern Virginia University. “Failed Meetings with Family Members and Oneself: Barbara Colio’s Theater.” Alfonso Varona, Hampden Sydney College. “Domestic Nomadism: Carceral Politics and the Prison Writing of Mauricio Rosencof and Ricardo Sánchez.” Seth Michelson, Washington and Lee University. The Figure of the Nomad and Cultural Displacements
#COSER Y CANTAR DOLORES PRIDA ENGLISH TRANSLATION FULL#
The full symposium program is available at ġ2th National Symposium of Theater in Academe Staged readings of “The Virgins of Seville/Las Virgenes de Sevilla” and “Exile is My Home” by Domnica Radulescu will be performed at 6:30 p.m. The performance of “Day Out: A Story of a Mother’s Love – Banishing the Idea that Black Poverty and Pain are Merely a Result of Circumstance,” a Black Lives Matter project by Anthonìa Adams, will be at 4:30 p.m. by the third keynote, “Immigrant Theatre: Paradigm for the Acceptance of Multiculturalism in Perceived Homogeneous Societies” presented by Marcy Arlin, artistic director of Immigrant’s Theater Project in New York. Maya Roth of Georgetown University will present the second keynote, “Reimagining Civic Poetics through Diaspora” at 10:30 a.m. The play is described as a reflection about the strength and fragility of memory, and the meaning of disappearance and the possibility of transformation. by a performance of “The Quivering Rose,” by DAH Theater, Belgrade, Serbia. The first keynote presentation is “Children’s Literature from Page to Stage in a Diasporic Context” by Catalina Iliescu Gheorghiu from the University of Alicante, Spain, at 2:40 p.m. All events will take place in the Stackhouse Theater in Elrod Commons unless otherwise specified. The conference will feature papers, live performances and readings. Approximately 10 faculty members from Washington and Lee and almost 30 W&L students will be presenting and will be involved in the panels, performances and readings. Theater practitioners, scholars, artists and professors from across the United States and from international institutions will attend the symposium in an open exchange of ideas and artistic expressions relevant to the symposium’s theme. “The themes of this year’s symposium of immigration, displacement and discrimination as portrayed and dealt with in the theater arts are more relevant than ever to our times,” said Radulescu. Morris Professor of Romance Languages and director of the Medieval and Renaissance Studies Program at Washington and Lee. This year’s symposium, “Displacements, Frontiers and Nomadism,” is organized by Domnica Radulescu, founding director of the symposium, the Edwin A. Washington and Lee University will welcome visitors from around the world to its 12th National Symposium of Theater in Academe on March 26-28. W&L Hosts 12th National Symposium of Theater in Academe Search Feature Stories Campus Events All Stories Stories by Discipline